Hey guys! If you haven't heard already, two new music videos were released today! The first was Drown by Bring Me The Horizon (the first follow up since Sempiternal), and it is definitely demonstrating the growth of this band over the years. This is easily one of their most tame songs, and while it has a much lighter feel, you can still tell it's BMTH. The single will be released December 7th!
The second video I wanna talk to you guys about today is Nobody from Stick To Your Guns. This video is clearly raising awareness of their upcoming album Disobedient, which will be released in February 2015. STYG have always stayed true to their punk/hardcore sound and style and that stays true hear. Definitely a solid track worth a listen.
Exotype aren't some new kids on the block in the metalcore scene. These guys have been pumping out deathcore since the early 2000's, but they switched over to the name Exotype and started to focus on metalcore blended with hardcore and dubstep in 2010. The simplest way that I can sum these guys up, is that they are essentially a heavier I See Stars. They are very well versed in dropped tunings and gettin' funky with chugging, but they also know how to nail down a poppy chorus and it seems that they have found quite a pleasing blend between electronic and metal. While many elements do sound very familiar and similar to other bands in this scene, Exotype fins a way to add in their own blend at times to stand separated from the pack.
Let's start with the first track on the album: Stand Up. All in all this song is a solid opener and foreshadows everything on the album. We get to hear a nice heavy opening with very solid cleans from Steven McCorry. This song is very structured and has plenty of different sections and verses to keep listeners entertained for multiple listens. Other than that, this is a very standard song and is one of the most generic on the album. However, there is plenty more to choose from on this album if you are looking to explore this bands unique sound.
Nanovirus was the first single that Exotype released once they signed on with Rise Records. Back when I first heard it, it reeled me in with an eerie electronic opening that goes straight into some nice mid range screams and heavy guitar tones. The digital effects on this track are almost perfectly mixed. They take center stage at center points and at others, the electronic effects are perfectly placed in the pocket and mix very well with the rest of the instruments. / is one of my personal favorites on the album for a few reasons. The variation of verses is excellent while maintaining a melodic motif that brings everything back together. This songs also contains a kick-ass breakdown around the 2 minute mark that once again blends the electronics with metal to give us one of the heaviest sections on the album.
The last song that I want to mention is For Those Afraid To Speak. This is one hell of a track. Guttural screams make for an intense vocal track, however this is one of the tracks that best show off Steven's cleans as well. One detail that must be mentioned with this band is their transitions... when they go from a metal section to a chorus with electronics, they actually make it flow. Many bands have been criticized for suddenly switching gears mid-song, but Exotype made sure to include fills and small sections that help ease you into a different sounding part of the song. And while it is a much different feel, it never loses the essence of the song, and all of the tracks sounds very coherent. This track features excellent transitions between the metal sections and a chorus with a gorgeous chord progression.
If you're looking for a band who has completely re-invented the metalcore genre, then look elsewhere. However, if you'd like to scratch that metalcore itch, Exotype should definitely be a band that you look into. I'm not saying that these guys fall into the mix of generic metalcore bands, I'm just saying that they don't reinvent the wheel. I am quite a fan of this first outing from Exotype and would like to see if they can take their sounds to the next level and try to create an even more unique sound on their sophomore album.
Architects have always been at the forefront of the metalcore scene. While not being one of the most known bands, they are definitely one of the best. With this new masterpiece from Architects, they've done it... They have reset the bar for all the bands in this scene and show us what can truly be accomplished in this style of music. Melodic lines are flushed in with sections full of aggressive riffs that truly perfect the modern metalcore sound. Sam's vocals are at their best here with his melodic screams and plenty of BLEHS to bring it all together. It is just a complete and coherent album that puts many of the other bands in this scene to shame with some of their recent work... Gravedigger is the first track and damn do these guys know how to start an album. This track kicks in with wickedly fast drums and then drops into some brutal guitar shredding and rhythmic "chug" patterns. Sam's screams sound as great as ever and he truly shines through in the chorus when the melodic line can even be heard through his screaming. This track stays heavy throughout before bringing us to a reprise of the intro and leading listeners into the heavy section of the song to finish it off and leave us wanting plenty more of this sound. Definitely one of the best tracks off of the album. C.A.N.C.E.R is easily the heaviest track on this record. Architects skip the bullshit and take us straight in with some heavy tones that are heard throughout the song. The chorus showcases Sam's unique melodic screams once again while not diverting from their more raw and organic sound. Architects is one of the metalcore outfits that have managed to stay away from "pop" choruses and heavily produced effects which gives them a very natural sound and gives them a great appeal to people who enjoy hardcore and more metal-based music. The Distant Blue is the last track that I'm going to talk about from this album. This one changes it up a bit from the rest of the album, which is understandable because it is clearly meant to be the closer. It features a half time feel with Sam howling at his upper range. It feels like a much more laid back track than the rest of the album which is nice for a closer rather than the typical fade out with a relaxing melodic line. They keep chugging and pounding the drum kit right up until about the halfway point where it becomes very "vibey" and ambient. It's a solid track that is quite popular due to the highs that Sam is able to produce here. I'll be honest... I am very biased towards Architects because they are one of the first bands that brought me to the metalcore scene. However, it is clear that they have changed the game here and reset the bar for all other bands in the scene. Many bands have followed their footsteps but deter from the path somewhere in order to be more accessible, but Architects stay true to their sound and deliver one of the best metalcore albums in many years. Definitely pick this one up if you are into Architects or any bands associated with the metalcore scene.
Lost Forever // Lost Together = 5/5
Here's one of my favorite tracks off of the album!! (Broken Cross)
Hey guys!! I know it's been a while since I've posted a review but don't worry, this blog is still a project of mine that is going to continue. I was swarmed with work for the end of the quarter but I did manage to pick up some new albums to review for you! I wanna make sure to give them a good few listens all the way through but you can expect to hear about the new Memphis May Fire, Animals as Leaders, Skrillex, and Nathan East albums. Thanks for sticking with me and I promise that updates and new reviews will start to come out more frequently!! Sincerely, Aidan Thomas of Redhead's Reviews
Ahh it's finally here... The first full length from Issues! The spawn of ex Woe Is Me members Michale Bohn and Tyler Carter, Issues is a new band on the scene that really doesn't fall into line with the rest of the bands in their genre. Featuring slick bass lines, bouncy guitar riffs and even disk scratching and synths, Issues brings a new flavor of style to this very generic scene of music. Already having released an EP and multiple singles, these guys aren't newbies and know how to get shit done. This album is coherent and filled with graceful choruses from Tyler and bone crunching breakdowns with Michael's screams over top. As of right now, this is easily a personal favorite of mine and will be on repeat for weeks to come. Let's dive into some of the tracks and break it down for you...
Sad Ghost features an erie intro that lets us know that this album is off to a wicked start. Bringing out the big guns early, listeners are treated to some nice guitar chugging and riffing with Scout on the turntable scratching away. This is of course right before we fade away into a fantasy world with Tyler's clean vocals. This man truly is one of the most talented singers in the industry today and is at his best on this album. This track features a nice repeating chorus while keeping some underlying heavy elements present to remind us that it could drop to that low guitar tuning any second. Bit of advice... prepare yourself for the breakdown at about 3 minutes, it's gonna make you move no matter where you are.
I wouldn't say it's strange to find songs on this album with a pop sound, and Late is a perfect example. This track starts off with a very standard four on the floor bass drum and brings in some pop synths and effects to complete the sound. Tyler's voice is complimented very well with this style and it's nice to see the band experimenting with so many unique sounds. This track is filling with pop chord progressions and whizzing effects, but it still has the stylistic marking of Issues with AJ's guitar tone and Michael's screams in some verses. It's a solid track that shows the range of sound that this group is capable of creating.
The last track I'm going to discuss is Personality Cult. This one really brings all of the elements together to create one hell of a song. We get that sick intro with some nice ambience and FX before going into a harmony that leads us into the meat and potatoes. The rhythms start of slow and distant before building up to the faster section with relentless guitar riffing and Josh Manuel pounding away on the drum kit. There's also a strong balance here of the two vocalist's rather than focusing on one of them like most of the other tracks. Also, this track is more lengthy than some of there others so it progresses throughout while maintaining strong elements from the main melody/theme.
To be honest, I'm very impressed with the material on Issues. I knew that it would be solid no matter what, but these guys have really raised the bar as far as diversity and the material on this album blows away anything that they had put out up until now. I highly recommend this album and even if you can't get into the whole thing I guarantee at least one song will have an element that grabs you and leaves you wanting more. Definitely pick this one up and support the guys in Issues!!!
Issues [Self Titled] = 4.5/5
Check out the band's brand new official video for "Stingray Affliction" off this album!!
Periphery has always been on top of their game. They are now a well known group that puts out some of the grooviest, hard hitting tracks that are always unique and well receieved. A while back, the group made an announcement about the new content that they were going to be releasing. Clear is an experimental album in which each track is composed by a different member of the band. This allows the album to have range of unique styles an sounds, but in the end it all flows together to create some of their best material to date. You're definitely gonna check this one out... Each member of Periphery has made it clear here that they know what they are doing when it comes to song writing. While there is obviously some collaboration on the tracks, each member was really allowed to make their tracks their own and touch it up with their own style. Zero is definitely the highlight on this album and it is no surprise that it is Misha's song. Misha is a songwriting master and has taken lead on writing most of Periphery's past material. This song starts off strong with some nice chugs and rhythmic variation before kicking it into high gear. As per usual, the guitar work is wicked clean and the tones are crisp and just mixed beautifully. The section with the climbing arpeggios is a highlight and just brings the track to a whole new melodic level. Extraneous by Nolly is another track that is getting quite a bit of praise. It brings us in with some crunchy chords and mean drumming, but soon progresses into a fury of time changes and chord progressions. While the name of the track suggests otherwise, this one has the perfect amount of Messhugah inspired chugs and offbeat hits to make it a stand out track on the album. Notice also, that the vocals have been left out of both of these tracks. While that is in no means an insult to Spencer's vocals, it shows that Periphery can still get shit done like old times completely intstrumental (even with Spencer's spectacularly improved vocals). On that note, the tracks with vocals present are much more melodic based, such as The Summer Jam. This is not a bad thing at all as Periphery has always been great at blending together the best of the heavy and the highs. Spencer's vocal range has definitely grown over time with some of his screams sounding better than ever here. Clear is a great concept for an album and due to Periphery's killer lineup and natural talent, I'd say that is has been a success. This album is great from start to finish and while only 7 songs, they are all songs that will keep fans more than happy until future notice.
Check out the full stream of the album on Youtube here:
